Archive for the ‘singing exercises’ Category

Tricking your singing muscles- Free singing lesson video

Sunday, May 1st, 2011

The normal vocalize consists of one pattern on a specific vowel repeated up and down the scale again and again.  They each concentrate on different areas such as freeing certain vowel sounds, extending range, creating agility in the voice, etc… And that is fabulous; please continue to do those…

Something that I have included over the years, (being a voice teacher who is comfortable at the piano keyboard), in my own warm ups and for my students is alternating the patterns of my vocalizes unpredictably throughout an exercise.  I find that I tend to do this in my warm up when I, or my students, are feeling stuck muscularly.

I have had a lot of success with this strategy of freeing the voice and sound, since the muscles are not sure what to prep, or create tension for.  The quick changing unpredicatable patterns help to sneak a way through some doors of resonance when a singer is feeling blocked.

Here is the link to a YouTube video I made showing you how to do this trick! ;)

http://www.youtube.com/watch?v=Uyf2tSKfnUQ

Use it during your warm ups when you are struggling to break through to your freest singing voice.

Sing well!

Ariella Vaccarino

 

Written by Ariella Vaccarino creator of  Voice Lessons To Go (singing lessons on CD) and author of  Vocalize!

Want a professional opinion of how you sound?  Sign up for my Vocal Assessment. Then send me a link or mp3 of you singing (audio/or audio visual) with your questions and I will get back to you with my feedback right away.

Check out my instructional videos on my YouTube Channel:

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New Video- How to bridge your chest voice to your head voice.

Thursday, April 7th, 2011

Probably the number one topic I am asked about on the technique of singing has to do with bridging the chest voice to the head voice, hiding the break, and creating one voice.

Depending on your vocal style and your individual voice, you will tend to sing in either more  of your head voice or chest voice.  Head lends itself to more of a classical sound while chest is more pop.  Musical theater can land somewhere in the middle.  But no matter what, as a singer, you will be challenged to access the full pitch range that your larynx possesses.

The following exercise, that I have up on my YourTube channel, practices just this issue; taking your voice from the bottom to the top while evening out the break in the passaggio, between head and chest voices.

Add this vocal exercise to your daily regimen.

http://www.youtube.com/user/VoiceLessonsToGo?feature=mhum#p/a/u/0/NGqZmzX04O4

 

Smooth singing to you!

Ariella Vaccarino

 

 

Written by Ariella Vaccarino creator of  Voice Lessons To Go (singing lessons on CD) and author of  Vocalize!

Want a professional opinion of how you sound?  Sign up for my Vocal Assessment. Then send me a link or mp3 of you singing (audio/or audio visual) with your questions and I will get back to you with my feedback right away.

Check out my instructional videos on my YouTube Channel:

http://www.youtube.com/voicelessonstogo

Listen to my weekly podcasts on iTunes:

My itunes Podcast

Friend me on Facebook:

http://www.facebook.com/voicelessonstogo

Follow me on twitter:

http://www.twitter.com/voicelessons2go (I love a good retweet!)

 

A free simple vocal exercise to help train your ear.

Tuesday, July 27th, 2010

Sometimes it is good to just slow down and concentrate on doing something of high quality in our vocal warm up rather than just singing through a lot of exercises, (a lot of exercises is also good for different reasons of course- try Voice Lessons To Go).  To help fine tune your voice and your ear, I created the attached video.  Keep in mind what is key in this exercise is to take your time through it and really be sure that you are matching the pitches you sing to the pitches on the instrument you are playing along to.

click here to watch the video:   singing voice lesson- ear training

Sing in the center of the pitch is something I say in this video.  It becomes especially evident when singing something like a Major scale filled with both half and whole steps that precise pitch is imperative.  Think of each pitch as a bullseye- you want to hit the center target point.  Don’t let your sound go under or over the central point.  That is what people refer to as singing flat or sharp.

Other then centered pitch, pay attention to the sound quality of each tone of the scale.  Is it to far back, to swallowed, to bright, to breathy?  Work on your sound quality with each tone through the scale.

Something as simple and common as a Major scale is a great way to work on your tuning and improve your vocal quality.

By the way, expect regular new instructional short videos from me in the future!- Please pass them on.

Happy tuning!

Ariella Vaccarino

Thank you for subscribing to my blogs!  I am working hard to bring you great content and free singing advice.  Please take a moment to spread the words via the social book marking links below to help me build my readership.  Thank you!

written by Ariella Vaccarino creator of Voice Lessons To Go (singing lessons on CD) and author of Vocalize!

Want a professional opinion of how you sound?  Sign up for my Vocal Assessment. Then send me a link or mp3 of you singing (audio/or audio visual) with your questions and I will get back to you with my feedback right away.

Friend me on Facebook: http://www.facebook.com/voicelessonstogo

Follow me on twitter:http://www.twitter.com/singingvltg (I love a good retweet!)

The preteen girl voice…patience please.

Tuesday, July 6th, 2010

I have spent many years teaching young girls singing lessons.  Taking them through the transitional journey of their own voice from girl to woman.  This is something I actually really enjoy because first hand I can protect and prepare their voice for healthy years of singing ahead.  There is a fine line  to preparing/protecting verses pushing the young voice.  It is important that are never pushing the voice especially the young voice to do anything.  Your singing should always be natural to your bodies ability and development.

The one real difficulty though is the patience required of the student (and their own parents) for the tween’s head voice to file in properly and develop fully.  As you can imagine.  A tween girls higher register is usually breathy.  So they often come to me telling me they are altos.  (That is another subject I shall write about at some point, but know that I have rarely met a “true” alto.)  Or they bring me a song with high notes for an audition and want the “problem solved” by the end of a lesson. – You can’t force a head voice to develop. Especially in one lesson.

Check Out an older blog of mine regarding what age is appropriate to start singing lessons if you are interested: http://voicelessonstogo.com/blog/category/young-singers

The young girl who has been belting her way through her single digit years, will eventually find herself needing to sing a higher then beltable high note.  This is where the head voice comes in.  The head voice usually develops along with puberty.  Girls hit that mark at different times.  There is nothing you can do to rush the process.  Rather, you must let your voice do its own natural thing.  Its hard to wait for things, I know.

It is especially frustrating when a young singers friend is hitting the high notes and getting the parts while the student is just getting a lot of breathiness.  Patience is key here.  The voice is going to do what it is going to do. There is a biological clock involved. Just like a boy can’t force a beard to grow, a girl can’t force her head voice to develop.

In voice lessons there are things that your teacher can do specifically in prepping the head voice.  Vocalizes that practice going from the lower register smoothly into the upper register.  Singing them smoothly and comfortably will help the transition between chest and head voice as your sound comes in.  It is great to have a head start on this so that you don’t find yourself with two completely different voices that can’t work together.  You can use my Voice Lessons To Go CDs to help you out with blending your registers: http://voicelessonstogo.com/products.html

So, if you are parent of a younger singer or a younger singer yourself.  Allow the process to happen naturally without any pressure.  Some girls are going to walk in at 11 sounding like young operatic sopranos and others may not have anything but breath till their 17th birthday on a high G.

It is really all OK.  We all grow up in time.  Enjoy your young voice.  Keep it healthy, and never force, push or strain it.

Sing well!

Ariella Vaccarino (a once young singer myself!)

Thank you for subscribing to my blogs!  I am working hard to bring you great content and free singing advice.  Please take a moment to spread the words via the social book marking links below to help me build my readership.  Thank you!

written by Ariella Vaccarino creator of Voice Lessons To Go (singing lessons on CD) and author of Vocalize!

Want a professional opinion of how you sound?  Sign up for my Vocal Assessment. Then send me a link or mp3 of you singing (audio/or audio visual) with your questions and I will get back to you with my feedback right away.

Friend me on Facebook: http://www.facebook.com/voicelessonstogo

Follow me on twitter:http://www.twitter.com/singingvltg (I love a good retweet!)

Singing Exercises- 10 concepts they cover

Monday, June 14th, 2010

Singing exercises for your voice?  What does that mean?  Some people don’t know much about singing and how to develop good technique, strong stamina, and great sound.- Singing Exercises are a great foundation for developing your voice to your ultimate ability.

As a young singer who started lessons at age 11 for voice by an incredible teacher from Julliard,  I was introduced right away to proper singing exercises. You may have the syllable of “la la la la” in your mind set to music, that is right.  I then trained throughout college at USC in Opera and went through many different voice teachers and singing exercises.  Later I became a voice teacher myself and have been teaching voice for over 18 years now.  As a result I created my own singing exercises for my own students and then created Voice Lessons To GO which are a series of singing exercises on CD and books.  (So I’m pretty comfortable in the singing exercise world!- They are probably coming out of my ears by now :)

In doing singing exercises you concentrate on developing the proper muscle support in your body to release your best vocal sound.  Removing “the song singing” you give yourself an opportunity to concentrate on many key point in healthy singing through these little vocalizes without the distractions of words, complicated melody, and emotion.

Ten important concepts that proper singing exercises cover:

1. Vowel production: This is practicing singing exercises on pure vowels by concentrating on individual vowels set to simple melodies throughout the range of your voice.  The purpose of this is to be able to concentrate on just the vowel as opposed to words, (like in songs), which contain many syllable vowel combinations.  As a result you can learn to create a pure natural ee, aa, oo, i, etc… which can then translate itself into your singing of songs.  These singing exercises will  let you focus on the vowel- making sure that it sounds natural, not covered, to bright, or to swallowed etc… (check out my v.3 Pure Vowels to focus on this in your practice).

2. Proper Tongue and Jaw release:  As you do your singing exercises, you will concentrate on opening your mouth naturally without tension in a relaxed manner. Also your tongue should be relaxed as well.  Singing a five note pattern on “Ma” your tongue should just lay relaxed and flat, your mouth should open naturally not to big, and there should be no shaking in the tongue or jaw.  This is the goal.  Your singing exercises are a simple short vessel to get you working on that goal.

3. Breath support- Between each singing exercise you need to breath.  Breathing properly is not a gasp with the chest rising, but rather a low inhalation which expands your back rib cage and lower abdomen.  You let your air in, never grab it in.  In singing exercise you get to practice this over and over between each starting note. (I have great breathing exercises in my first CD of Voice Lessons To GO v.1 Vocalize and Breath.)

4. Posture/body strength:  Standing in front of a mirror is a great way to do your singing exercises.  This gives you an opportunity to see what you are doing and what you look like to other people when you sing.  Concentrate on the proper use of your tongue and jaw as well as your posture.

You should look strong like a fighter.  Knees a bit bent but heavy, chest tall and broad, face and chin natural and free.  Your body should remain this way throughout your singing exercises whether in your high or low range.  No lifting of the chin to reach a high note.  Watch your hands, they should fall naturally at your side but with purpose.  Your eyes should be bright.  Your facial expressions should not be skewed or over the top.  Overall you want to look appealing to your audience.  Any odd movements, faces, or quirks will make you stand out for the wrong reasons.- Use the simplicity of these singing exercises to concentrate on your posture.

Your body needs to be strong and “on alert” to support your voice.  You should have a certain amount of tension in your legs and lower abdominal muscles so that your voice can release freely and supported.  Your body strength should kick in properly for your higher notes.  The tension should never be in the voice but rather the body.  If you put the tension into your vocal muscles and you will cause bad vocal habits and unhealthy singing.

5. Developing your range- Every singing exercise is based on a simple melody put to simple vowels that repeat on different starting notes that ascend and descend on the piano keyboard.  You should never strain your voice to hit notes at the ends of your register.  But you can challenge yourself to reach further with proper support and healthy technique.  If there is any strain, stop.  There is no such thing in singing, (as opposed to regular physical exercise), of “singing through the pain to get results”.  Pain, causes vocal trauma FOR SURE. You continue the vocal trauma you could create long lasting injuries.  Always sing in your range and work to stretch it in both directions as your stamina and strength develop in your singing exercises.

6.  Singing exercises warm up your voice to prepare you for great singing-  Just like any athlete would stretch and start slow before entering a run, your singing exercises when started slow, easily, and properly will warm up your proper muscles for good singing and technique.

7. Singing exercises are a great work out for your voice which build stamina-  You start slowly in your vocal warm up but as you continue in your singing exercises you can stretch yourself through speed, range, and difficulty. (v.4 Stamina- a real work out for your voice!)

8. Singing exercises build proper technique- Like with your vowel production, all singing issues can be worked on through specific singing exercises such as vibrato, vocal timbre, trills, runs, wide range leaps, staccato singing, legato, dynamics (soft or loud singing), phrasing, and vocal beauty, (belle canto).

9. Singing exercises develop your musicianship- Singing through different simple and complicated patterns with ascending and descending starting notes will train your ear to be a better singer.  You will learn to sing back new melodies faster, sing with accompaniment on key, and develop your rhythm.  My second CD actually concentrates on musicianship and ear training v.2 Do Re Mi Ear and Pitch Training.  I actually have you singing your singing exercises in solfege(do, re, mi)  on that CD instead of simple ma, la, combinations.

10. Singing exercises will develop discipline.  If you want to be a serious singer, you will need a lot of discipline to make it work.  It is a hard path that is reliant on you yourself doing the work.  Daily (or 3-5 times a week) singing exercises are a great regiment that you should apply to your life.  Set the time everyday to do it if you can.  Physical exercise, breathing exercises, singing exercises, and song practice need to occur regularly for you if you want to be good and get the jobs.  There is no office to go to and check in.  Your piano, key board, guitar, or in front of your mirror singing to singing exercises on your IPOD need to be your regular routine for success.

Sing well!

written by Ariella Vaccarino creator of Voice Lessons To Go (singing lessons on CD) and author of Vocalize!

Want a professional opinion of how you sound?  Sign up for my Vocal Assessment. Then send me a link or mp3 of you singing (audio/or audio visual) with your questions and I will get back to you with my feedback right away.

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